TRAILER: Unauthorized: The Harvey Weinstein Project Looks Pretty Much Like Harvey Weinstein Project

As a longtime Harveyologist, few prospects on the movie beat seem more appealing to me than an unauthorized documentary about Harvey Weinstein. I mean, Harvey Weinstein! Just saying the name conjures both quivering fanboy chills and the faint, foggy effluvia of sweat and Diet Coke wafting over a freshly vacuumed and Febrezed red carpet. Harvey. Weinstein. Stirring, no? So why, why does the first trailer for Unauthorized: The Harvey Weinstein Project leave me so cold? Maybe because it’s a succession of platitudes from the likes of Martin Scorsese, John Irving and Peter Bart followed by platitudes from the filmmaker about how foolhardy a Weinstein doc is? Huh? Filmmaker Barry Avrich got an audience with Scorsese but oh, the folly of it all? This doesn’t even look like fragments from a real doc as much as a test coat of new gloss for the Weinstein legend, as though Harvey dreamed the whole thing up as some reinforcement of his own pedigree and utter unknowability. Not to allege a conspiracy or anything. I’m just saying: Harvey! Focus! W.E. needs your full attention! I’m a Harvey obsessive, and honestly, this just makes me want to switch to Scott Rudin. Nice Statue of Liberty, though. VERDICT: Pass. [via Cinema Blend]

News & Documentary Emmys: an hour, Nat Geo And PBS POV Among Large Those who win

CBS capped this news and documentary Emmys, passed out inside a ceremony tonight in the Ernest P. Rose Hall in NY. The network required home 10 honours, 7 which were for an hour. National Geographic Funnel adopted with 7 total, and PBS won 6, with2 of their Emmys visiting the documentaryFood Corporation. A listing of those who win follows: OUTSTANDING COVERAGE Of The BREAKING Report Inside A REGULARLY SCHEDULED NEWSCAST: Physical Violence Worsens 360 (CNN),Haiti in Ruins OUTSTANDING Ongoing COVERAGE Of The Report Inside A REGULARLYSCHEDULED NEWSCAST: CBS Evening News with Katie Couric (CBS),Afghan Explosive device Squad OUTSTANDING FEATURE STORY Inside A REGULARLY SCHEDULED NEWSCAST BBC World News America (BBC America),Within the North Korean Bubble OUTSTANDING INVESTIGATIVE JOURNALISM Inside A REGULARLY SCHEDULED NEWSCAST: CBS Evening News with Katie Couric (CBS),Photocopiers Hidden Dangers OUTSTANDING BUSINESS AND ECONOMIC Confirming Inside A REGULARY SCHEDULED NEWSCAST: Sunday Morning (CBS) OUTSTANDING COVERAGE Of The BREAKING Report Inside A NEWS MAGAZINE: an hour (CBS),The Blowout OUTSTANDING Ongoing COVERAGE Of The Report Inside A NEWS MAGAZINE: Dateline (NBC),America Now: Buddies and Neighbors OUTSTANDING FEATURE STORY Inside A NEWS MAGAZINE: an hour (CBS),Football Island OUTSTANDING INVESTIGATIVE JOURNALISM Inside A NEWS MAGAZINE: an hour (CBS),twenty-first century Lizard Oil OUTSTANDING BUSINESS AND ECONOMIC Confirming Inside A NEWS MAGAZINE: Serta Rather Reviews (HDNet),The Mysterious Situation of Kevin Xu OUTSTANDING NEWS DISCUSSION & ANALYSIS: The Rachel Maddow Show (MSNBC),Hello, Landlocked Central Asia OUTSTANDING LIVE COVERAGE Of The CURRENT Report Lengthy FORM: Physical Violence Worsens 360 (CNN),Crisis in Haiti OUTSTANDING Ongoing COVERAGE Of The Report Lengthy FORM: Restrepo: Afghan Outpost (National Geographic Funnel) OUTSTANDING INVESTIGATIVE JOURNALISM Lengthy FORM: POV (PBS),Presumed Guilty OUTSTANDING Educational PROGRAMMING Lengthy FORM: POV (PBS),Food Corporation OUTSTANDING Historic PROGRAMMING Lengthy FORM: Witness: Katrina (National Geographic Funnel) OUTSTANDING BUSINESS AND ECONOMIC Confirming Lengthy FORM: POV (PBS),Fortune OUTSTANDING INTERVIEW: an hour (CBS),Medal of Recognition OUTSTANDING ARTS & CULTURE PROGRAMMING: Independent Lens (PBS),Art & Copy OUTSTANDING Science PROGRAMMING: Cinemax Documentary Films (Cinemax),Google Baby OUTSTANDING Character PROGRAMMING: First Existence With David Attenborough (Discovery Funnel) BEST STORY Inside A REGULARLY SCHEDULED NEWSCAST: NBC Nightly News with John Williams (NBC),Mexico: The War Nearby BEST REPORT Inside A NEWS MAGAZINE: an hour (CBS),The Blowout BEST DOCUMENTARY: POV (PBS),Food Inc

Lifetime Cancels 'Roseanne's Nuts'

Joe Scarnici/FilmMagic/Getty Images Lifetime is leaving Roseanne Barr's farm. According to the actress/reality show personality, the cable network has opted not to continue with a second season of Roseanne's Nuts. "Roseanne's Nuts has been canceled," Barr tweeted Wednesday. "Thanks everyone for watching!" The reality series, which followed Barr, her partner Johnny Argent and son Jake Pentland as they lived and worked on their macadamia nut and livestock farm in Hawaii premiered in July to 1.3 million viewers, according to Nielsen. After early ratings success evaporated, Lifetime shifted the series from its Wednesday time slot to Fridays and by the end of its 16-episode run, viewership had diminished to nearly half its premiere numbers. The cancelation news comes as Barr is prepping her return to scripted comedy with Downwardly Mobile, a project she and Argent have set up at 20th Television. The sitcom would be a starring vehicle for Barr and is designed to mine similar territory to her 1990s hit Roseanne, which revolved around a blue-collar family living in challenging economic times. Steven Greener is attached as executive producer. The project would be Barr's first since Roseanne ended its nine-season run in 1997. Lifetime did not immediately respond to a request for comment. Email: Lesley.Goldberg@thr.com; Twitter: @Snoodit Roseanne Barr Lifetime

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We Purchased A Zoo Trailer Escapes Online

Cameron Crowe's latest includes a promoWhile he's certainly been keeping busy together with his Elton John and Gem Jam music documentaries, it's much more heartening to determine Cameron Crowe back behind your camera for any film. His latest effort, We Purchased a Zoo, just pressed out its first trailer at Apple. Modified from former Protector journalist Benjamin Mee's memoir about his family's buying and rebuilding Dartmoor Wildlife Park, Zoo transplants the storyline to California and casts Matt Damon as Mee. He's lost his wife to cancer and it is trying to cope with raising two children by himself. When he finds what he thinks is the best new house, he understands it arrives with a couple of added eccentricities: namely, 47 creatures, including lions, apes and zebras that has to be studied proper care of. Assisted by his brother (Thomas Haden Chapel), who alternates from a sunny outlook and thinking he's nuts and also the remaining zoo employees (including Scarlett Johansson's fetching Kelly Promote), Mee must learn how to keep his family together while doing right through the menagerie lucrative is the owner of. As The Demon Wears Prada's Aline Brosh McKenna authored the very first draft from the script, Crowe has polished it and in the looks of the has introduced his particular mixture of emotion along with a killer soundtrack towards the movie. There is a definite Jerry Maguire vibe towards the whole factor (specially the moment when Mee quits his job) and we are hopeful the solid cast can make that one a champion. Crowe can use a rest after Elizabethtown...We Purchased a Zoo has gone out on December 23.

Hay Dogs: Film Review

Taken alone terms just like a nasty tale of techniques lots of rough rednecks pester and brutalize a enjoyable city couple before latter summon within the grit to shine an easy inside it, Hay Dogs comes lower to some raw slab of red-colored-colored meat to tempt and many likely match the hoi polloi. But to anyone who's seen Mike Peckinpah's provocative and unsettling 1971 original, Fly fishing rod Lurie's redo adds nothing and subtracts nuance and ambiguity from the thing that was probably the most questionable films from the already tumultuous period. Screen Gems should be capable of exploit the story's violence and natural blood stream-boiling elements to obtain affordable immediate returns in wide release. Moving the knowledge in the western world of England to America's Deep South instantly produces the looked for-after hotbed of conflict for just about any good-searching Hollywood film author and also the sexy blond actress wife after they roll into the properly named Blackwater, Miss., inside their cherry silver ཿ Jaguar XKE to think about extended residence because they produces a script in regards to the siege of Stalingrad. The writer, David (James Marsden), does miracles for his status while using local good ol' boys by arriving from our bar wearing a Harvard lacrosse t-shirt, while Amy (Kate Bosworth), who was simply born and bred throughout these parts, is rapidly hit on by rangy former flame Charlie (Alexander Skarsgard), ringleader in the town yahoos, who doesn't consider her married status becoming an excuse to not get where they left off in the past. Aside from the modifications in designs and professions (Dustin Hoffman carried out a math wizzard inside the original, while Susan George's wife was, well, a wife), Lurie has deviated little within the script by David Zelag Goodman and Peckinipah, itself with various novel by Gordon Williams. Basically, it's research of techniques far passivism might be pressed, any sort of accident from a hostile pressure together with a far more pliant one that'll be roused with a defense only when survival is really threatened. Especially because the central motivating incident might be the rape in the wife, this is often a story designed to stoke fires and awaken fundamental instincts in the figures as well as the audience. But whereas Peckinpah handled not just in raise hackles but to acquire beneath the skin, Lurie handles only the former, which decreases about the material to the quantity of sensation-mongering. Settling in to a lovely riverside farmhouse possessed by Amy's family, the affable David tries to get lower to use while Amy takes a break from her TV career, making her the envy of her old local female buddies. Delivering a substantial distraction, however, might be the daily presence of Charlie and also the boys, hired to correct within the dilapidated barn concerning the property. Chummy initially and mock-appropriately addressing David as "mister," Charlie and also the crew nonetheless play their little games to determine the limits, raging noisy music, entering the house for beer if he or she appear like, knocking off early, hanging your dog cat in the closet and leering at Amy when she jogs around in scanties. When her husband alerts her in regards to the effect her appearance is putting on the horndogs, she reprovingly asks, "Are you currently presently saying I'm asking for this?" Peckinpah's film devoted a lot more time to domestic moments involving the couple, revealing ways they were under in synch and certain dissatisfactions on her behalf account part, nothing overtly typed out but enough to quietly suggest she might have reason to recall her old boyfriend once in some time. This feeds into her reactions when her former love rapes her, a sequence that trigger a furor in those days due to its intimations, much less she asked for it but that, once it absolutely was happening, she wasn't altogether unresponsive. There's little such ambiguity this time around around around when Charlie comes calling following a boys have deliberately attracted David on the hunting expedition to put his manhood for the test. "You're a coward," Amy accuses her husband a direct consequence. "No, I'm not," he replies, before requiring to prove it by safeguarding their home against an armed nocturnal assault with the liquored-up mob, grew to become an associate of now with the hot-headed local football coach (James Forest), whose wayward teenage daughter remains assaulted with the village idiot the happy couple is safeguarding. Lurie has recycled most likely probably the most memorably nasty nuances of Peckinpah's staging in the domestic fight-to-the-dying, like the shotgun blast for the ft as well as the fearsome bear trap. But because the visceral impact in the improvised combat remains and may hold the intended effect on audiences, nearly all whom will not have experienced the first, the way a action remains rushed and elevated helps it be appear less realistic, goosed up inside an artificial movie way. The coach's contribution for the melee, particularly as concerns his intervention while using local sheriff (practically really the only black character on view), is especially unconvincing. Overall, Lurie tries an excessive amount of to 1-up Peckinpah along with his siege and, not remarkably, falls way short. Marsden is entirely affable just like a well-intentioned guy whose wife has possibly not given him fair warning that he may be looking for on her behalf account home turf. For your film to own had any dimension aside from just like a home invasion surprise, however, Bosworth's Kate may have needed layers of subtext until she questions his bravery, there's no indication she finds him anything within great guy and husband, and you'll find no questions elevated concerning the health of the wedding, any residual feelings she might have for Charlie and so forth. The central relationship does not have depth and Bosworth comes off as rather hard, certainly compared to Susan George inside the original, who was simply wonderfully changeable of mood and temperature indeed, she was a person's heart in the film, notwithstanding Hoffman's admirable summoning of formerly untested courage. Towering over his costars, TV hearththrob Skarsgard produces a formidable antagonist, while Forest does not have trouble conjuring within the small town's reigning whackjob. Louisiana locations are fantastically atmospheric, despite the fact that mismatching of fog and apparent skies throughout David's disorienting hunting expedition is sloppy inside the extreme. Opens: Friday, Sept. 16 (Screen Gems) Production: Battleplan Prods. Cast: James Marsden, Kate Bosworth, Alexander Skarsgard, James Forest, Dominic Purcell, Rhys Coiro, Billy Lush, Laz Alonso, Willa Holland, Walton Goggins, Anson Mount, Came Powell, Kristin Shaw Director: Fly fishing rod Lurie Film author: Fly fishing rod Lurie, good script by David Zelag Goodman and Mike Peckinpah, good novel "The Siege of Trencher's Farm" by Gordon Williams Producer: Marc Frydman Executive producers: Love Marks, Gilbert Dumontet Director of photography: Alik Sakharov Production designer: Tony Fanning Costume designer: Lynn Falconer Editor: Sarah Boyd Music: Ray Groupe R rating, 110 minutes Alexander Skarsgard James Marsden Kate Bosworth Fly fishing rod Lurie Hay Dogs

Well Go Lands Rights To Two Korean Pics

Well Go USA has acquired North American TV, DVD, digital, and VOD rights to the South Korean war drama My Way from CJ Entertainment. The action film is directed by Kang Je-kyu, whose 2004 movie Tae Guk Gi: Brotherhood of War grossed more than $64 million in Korea alone. Well Go also bought from CJ all North American rights including theatrical to the 3D-animated actioner Tarbosaurus. The deals continue Well Go’s push to add to its library of word cinema; recently, the distributor acquired a pair of films from Japanese director Takashi Shimizu — Tormented and The Shock Labyrinth — as well as Hit so Hard, the documentary feature about Hole drummer Patty Schemel.

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Up All Night

'Up All Night'Filmed in Los Angeles by Broadway Video in association with Universal Media Studios. Executive producers, Emily Spivey, Jon Pollack, Erin David, Lorne Michaels; producers, Christina Applegate, Andrew Singer, Eric Kranzler; line producer, Anna Dokoza; director, James Griffiths; writer, Spivey;Reagan Brinkley - Christina Applegate Ava - Maya Rudolph Chris - Will Arnett In theory, "Up All Night" ought to resonate with young families who can identify feeling cooped up and grounded by a new baby. The premise, however, proves more fertile (pardon the expression) than the actual show, which as presented plays like a one-note gag about as subtle as watching the central couple, Christina Applegate and Will Arnett, do a lot of bleeped-out cussing in front of their newborn. Clearly, responsible parents will put the kids to bed early, unless they want to brave exposing their offspring to an uninspired if harmless piece of (bleep). A high-powered producer of an "Oprah"-style talkshow, Applegate's Reagan hasn't fully grasped what a crimp an infant will be to her velvet-roped, on-the-go lifestyle. Her husband Chris (Arnett) is equally clueless, other than marveling with her about how their baby is just so (bleep)ing beautiful, before realizing they might need to clean up their language. Still, Reagan is heading back to work, which means Chris has to step up and watch the kid. No problem, he insists -- "Why hire a nanny when you got me?" he assures his wife -- but of course, things don't exactly work out that way for Mr. Mom. Again, there's a template here -- as devised by series creator Emily Spivey ("30 Rock," "SNL") under the aegis of "SNL" patriarch Lorne Michaels -- which should be ripe for comedy and strike a nerve within the demo the networks desperately want to reach. Feeling unprepared to handle a baby -- despite professional credentials, as more people defer parenthood until they're older -- taps into a reality for many viewers, a la "Baby Boom." It's in the delivery, alas, where "Up All Night" goes awry. Even a toned-down Arnett -- back for more after last year's short-lived starring stint in Fox's "Running Wilde" -- again demonstrates he's more palatable in small (see "Arrested Development") or sporadic ("30 Rock") doses than cast as a series lead. Similarly, Applegate - -- whose new mom theoretically provides some kind of emotional anchor -- pretty much follows him off that over-the-top cliff. The shift from the pilot's original work milieu in a PR firm to a show-within-the-show scenario also makes this feel like a bit of a me-too "30 Rock," and isn't helped by Maya Rudolph's performance as the crazy host Ava, who oscillates between irritating and merely obnoxious. Paired with the even-less-appealing "Free Agents," "Up All Night" will be the beneficiary of modest expectations as NBC tries to lead off Wednesdays with comedy once the new series shift to their regular timeslots. Nevertheless, if the mysteries of parenting grow more fathomable with time, the opportunity to grow up and into its premise might be one of those scheduling luxuries "Up All Night" lacks.camera, Oliver Bokelberg, Matthew Clark; production designers, Dan Butts, Kitty Doris-Bates; editors, Dean Holland, Rick Blue; music, Martyn LeNoble, Vincent Jones; casting, Mary Gail Artz, Shani Ginsberg, Jeff Greenberg. 30 MIN. Contact Brian Lowry at brian.lowry@variety.com

Katherine Heigl Carries Cuffs in 'One for the Money' Poster Debut

Adapting a best-selling book for the big screen doesn't always guarantee you a box office hit (see: 'One Day'), but, at the very least, it provides a built-in audience. Enter 'One for the Money,' based on the popular book by author Janet Evanovich. Starring Katherine Heigl as Stephanie Plum, the film is about an unemployed lingerie buyer (Heigl) who goes to work for her cousin, a bail bondsmen. She eventually finds herself going after Joe Morelli (Jason O'Mara), a former lover now accused of murder. Twist! Check out the poster for 'One for the Money' ahead. 'One for the Money' is in theaters on Jan. 27, 2012.

The X-Gang

A notorious gang of four headed by Maxino(Hank Anuku) that loots every bank and leaves no traces of them, is being backed up by a woman Maxino's mother (Patience Ozokwo) who has gone to the land of the dead to acquire all the protection they need, can these people ever be caught.

'Tucker And Dale' Drawn To This Week's Horror Bites

Jonah Hill was on hand on Sunday night to attend the 2011 Video Music Awards where a lot of crazy stuff went down. Like what? Well Lady Gaga was a man named Jo Calderone who tried to kiss Britney Spears, Beyonce announced she was preggers with Jay-Z's baby and we finally saw a trailer for the highly-anticipated "Hunger Games." But before the party even kicked off, Hill walked the red carpet and chatted with MTV News about finally getting "21 Jump Street" into theaters next year. And, despite everything we know, he still refused to admit that the original "21 Jump Street" star, Johnny Depp, is in it. "Well you'll have to see," he simply said when we mentioned Depp being in it, but he did add, "The film is great. It's so exciting. We've been working on that movie for five years; somebody handed me a box of a TV show and now there's this movie." He also dished about going a bit more dramatic for his forthcoming flick, "Moneyball," which he says is "about baseball and life." "Its a drama, so it is different," he said of the film, which also stars Brad Pitt and Philip Seymour Hoffman. The film is certainly a very different one than what Hill's done so far. This certainly doesn't sound anything like "Superbad." And, he says that he wants to show people that he can act in many different types of films. "I'm excited for people to see it," he said. "I'm proud of it. I love all different kinds of movies and as an actor you want to try as many different things as you can." Tell us what you think in the comments section and on Twitter!

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